ABOUT US
 
 
RECORDS || SACRAL MUSIC IN THE DOM CATHEDRAL

    SACRAL MUSIC IN THE DOM CATHEDRAL
(2002)


Songs :

   
"Missa Rigensis"

1. Kyrie
2. Gloria
3. Credo
4. Sanctus
5. Agnus Dei

"Epigrams"

6. Ecce
7. Domine
8. Veni, Domine
9. Sicut cervus
10. Recordare
11. Justorum animae
12. "Zvani"(interlude)
13. "Magnificat"

Performers:     Mārtiņš Klišāns - conductor
Riga Dom Cathedral boys choir
Riga Dom Cathedral Boys Choir (1.-5., 13.)
Dita Kalniņa - soprano (6.-11., 13.)
Aivars Kalējs - organ (13.)
Uģis Prauliņš - keyboards (6.-11.)
Ivo Krūškops - percussion (12., 13.)
Daumants Kalniņš - treble (2.)
Kārlis Rūtentāls - tenor (3.)
Raimonds Ezeriņš - tenor (5.)
Andris Sējāns - alto (4.)
Kristaps Šoriņš - recitative (5.)
Description:     The autobiographies of composers are always of interest in music history, particularly their comments and reflections about the universe, the creative process and their own works; thus, we include Ugis Praulins' reflections upon images, feelings and mood in his compositions.
A Mass is possibly the most basic expression of the Roman Catholic beliefs. It was a challenge to write an a cappella mass for a choir and to retain attention by the singers' voices alone, just as it was done during the Renaissance. I wished to attain the clarity of the mass of the 15th fir 16th century, to do it without over-whelming force or volume. Could I do ft without hiding behind an orchestra which always sounds good or interesting, or even tmpresslvet
MISSA RIGENSIS (Riga Mass) consists of the five tradition! parts for a mass,
KYRIE - prayer for mercy;
GLORIA - praise to God
CREDO - affirmation of the classical religious tenets of Jesus Christ;
SANCTUS - blessing and praise;
AGNUS DEI-absolution of sins, request for mercy and peace (Jesus took our sins upon Himself).

EPIGRAMMAS (Epigrams) is commentary following the Mass. There are observations and reflections (See how the Just One is dying), supplication (Domine) and yearning (Sicut cervus), a believer's tender and loving address to Jesus (Recordare, Jesu pie) and understanding — the soul is safe in God's hands (Justorum animae in manu Dei sunt). Electronic sounds? In church? It does not trouble me, just as artificial heat does not, nor do electric lights in place of candles. The only concern is being familiar enough with the acoustics of the cathedral in order to explore them more fully with the acoustical instruments, but that is only a matter of time. It is crucial that the sound fit the intent.
MAGNIFICAT is the hymn of the Virgin Mary, according to St. Luke (My soul doth magnify the Lord), upon her arrival at the home of her cousin Elizabeth. Mary is overwhelmed by God's revelations to her, grateful to God for being chosen and joyful about the mission given her - Immaculate Conception is still one of the greatest mysteries, wonders. This text is used in Roman Catholic vespers and also in the evensong of the Anglican Church. Many composers, including the geniuses of the Renaissance and the baroque period, have composed magnificata; Palestrina created thirty-five. The Magnificat is unique. It is the conclusion of the Old Testament and the beginning of the New Testament.

Info:     Recorded or Riga Dom Cathedral in 2002.
Sound engeneer Andris Ūze.
Design : Jānis Šulcs.

 
© Riga Dom Cathedral boys choir, 2004
 
   
 

Riga Dom Cathedral boys choir
10/12 Kalnciema Str.
Riga, LV-1048, Latvia
Phone./Fax: (+371) 67804777

 
 
  © Design by S, 2004